Review
With sufficient revision, Marisa Smith’s genial farce could well command the rom-com slot virtually every regional and community theater in the world yearns to fill.
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Local examples of immersive aesthetic and sensual experimentation as forms of cultural experience.
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George Szell’s Reign is ultimately an accessible, often sociable, but sometimes perplexing fan’s history of the Orchestra and its storied music director.
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At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
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There is real suspense and pathos in this political drama, beneath the standard cinematography and pacing.
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A resplendent and spirited revival of The Sound of Music in downtown Boston.
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Mary Lee Bendolph’s designs are stunning works of contemporary design, lacking any taint of provincialism, with as much visual sophistication as you would find in any New York gallery.
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Mostly the New Orleans Jazz & Heritage Festival ends up being about the multiplicity and infinite variety of cultures and traditions, including generic funk.
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The performance’s excellent musicianship and many amusing moments were at the service of a relevant evening of commentary on the lighter side of the current news cycle.
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An intriguing cross-disciplinary concept gave birth to a pallid, underrehearsed production.
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