Review
While the push for diversity in casting is admirable, it’s not enough to resuscitate a script that feels dated, even regressive in its approach to historical storytelling.
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The Barefoot Woman is lyrical but also informative and ethnographic, as much a memoir of a mother as it is of her way of life.
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Armenian cultural history has always been about survival: between Armenians preserving their art within the shifting boundaries of their homeland, and carrying their art beyond the country’s borders.
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Quite properly, Miles Evans evokes rather than mimics his dad’s arrangements on this excellent disc.
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This year’s version – the 48th! – of The Christmas Revels is delightful and refreshing way to bid adieu to a tumultuous 2018.
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Dressed in cream-colored pants, a crisp white shirt, sneakers, and big owlish spectacles with red plastic frames, Twyla Tharp played the professor in the first part of the 90-minute show.
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Septuagenarian, Edwin Ayoung, better known as Crazy, easily carried the rest of the night with his exuberant performance.
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Jack Taylor’s world is very much our world and his despair is our despair.
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Films like Ben is Back will not foster an understanding of how drug addiction ravages the lives of the poor, the incarcerated, the uneducated, and the less fortunate.
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Despite its serious treatment of surreal art, Monsters & Myths is a real delight.
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio