Review
This is a timely novel, a lament for the multicultural harmony that has disappeared from Mesopotamia as well as a dire warning: fundamentalism is on the rise, not just in the Middle East but in the West as well.
The irony is that this effort, surely not the last, of Hollywood reaching out to the “solid” citizens of Trump’s America will only alienate them further.
Two previously unreleased archival recordings take us on trips into the past well worth taking.
August Enna’s colorful and vividly melodramatic score does justice to the robust exoticism of H. Rider Haggard’s novel.
On first impression, John Williams’ second violin concerto didn’t strike me as an instant classic, but there’s more than a little here to warrant repeated listening.
Translator Dan Veach invites us to “pull up a bench in the mead hall, grab a brew, and enjoy a jazzy new performance.”
This re-release features 72 minutes of unreleased music. Nearly every track on the two-hour set pushes the 20-minute range, with results more exhilarating than exhausting.
This disc from the London-based Kaleidoscope Chamber Collective pairs piano quintets by Amy Beach and Florence Price with Samuel Barber’s haunting “Dover Beach.”
Recently, a number of public artworks have been charged with memorializing ghosts or “specters” of the past.
Arts Feature: The Lockdown Underground — Discoveries in Isolation
Stuck in a world where regular shopping was rare and live performances extinct, the right path seemed to be the curls and swirls of mentions and references that led to surprising new or little-known artists and fascinating new levels of famous ones.
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