Review
To Sleep with Anger is a masterpiece, a powerful reminder that, however seductive the devil might be, he can be overcome.
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Richard Pittman led the core players of BMV in a confident, evocative reading of the music.
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The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.
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Music Director Martin Pearlman had the excellent idea to cut out 6 of the 24 arias to make Jephtha move along, and it paid off.
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The Bird King is an utterly lovely reading experience.
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William Forsythe asks dancers to go beyond their mastery of technique — in order to have the music move audiences to a higher level of emotional involvement.
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A 1962 concert performance from Radio Italiana, now on CD, shows how delightful Wagner can sound without barking and slow wobbles.
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This inspiring show celebrates the 100th anniversary of the founding of The Bauhaus.
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The disc is manna for lovers of assertive electric guitar, played by one of today’s top practitioners, in an unadorned trio setting.
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Overall, Juliana Hatfield’s Weird is closer to good than to great.
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio