Review
Energizing, joyful, expert, close to sure-fire, Chasing Magic was a great choice to reopen A.R.T. after the long pandemic shutdown.
Wild Horses is a sort of hybrid of familiar coming-of-age stories: Little Women meets Summer of ’42, with a dollop of Stand By Me tossed in for intrigue.
The talent at Club Passim’s Nanci Griffith night represented at least two generations: it was a nice, low-key salute to the singer/songwriter, who played the venue often in the mid-’80s.
Director Anton Fuqua forgoes his usual action milieu with an unrelentingly tense, highly emotional English language remake of Den skyldige.
Cry Macho is little more than nostalgia for the Old West of Hollywood.
Some tracks work better than others, but Maya Beiser’s larger effort succeeds in presenting Glass’s music in a more nuanced – and musically complex – light.
Translator Nandana Dev Sen has opened a window for us to savor Bengali women’s poetry through these lovingly translated poems of her mother.
A thoughtfully conceived, technically excellent, beautifully recorded, and expressively rich album that celebrates 20th-century piano music by (mostly) American composers.
Against White Feminism is an informative and thought-provoking read for all feminists.
Arts Commentary: It’s OK to Like Board Games, Even the Bad Ones
These cheesy board games were repetitive and horrible and I loved every one of them.
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