Review
Once is a wonderful musical and the Speakeasy Stage production does exquisitely right by its considerable merits.
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Delia Owens suggests that the only forward movement for her outsider-protagonist and “swamp trash” is to become curators of ecological/cultural museums in the very places where they once struggled for an independent life.
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The Half-Light is a play about ghosts that, while offering intimations of mortality, ends up exuding a charming and infectious romantic spirit.
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Greta is a slight, uninspired by-the-numbers genre film — we’ve seen this paranoia-inducing tale too often.
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This is a finely-selected sampling of what some accomplished women filmmakers offered in 2018.
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The Lyric Stage Company’s The Little Foxes is taut, tense, and eerily reflective of our own uneasy, pernicious times.
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In very different ways and on very different topics, three recent books assuage notions that architecture/design books are formidable reads.
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Anniversaries are both the bane and the lifeblood of the classical music industry as, for better or worse, three new box sets remind.
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A B-movie par excellence, Greta’s the kind of unhinged and yet fiendishly well-calibrated genre fare that rarely gets afforded the attentions of a director as accomplished as Neil Jordan.
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1917 was an important year, but perhaps not important enough to justify the sweeping title of the book.
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio