Review
Though it’s classified as a comedy, Shiva Baby utilizes many of the stylistic trademarks found throughout the horror genre to merge painfully humorous discomfort with suffocatingly atmospheric terror.
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In the process of exploring the ideas that shaped Lorraine Hansberry’s understanding of her art and the world, the volume confirms the writer’s relevance during these troubled but potentially transformative times.
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This Is a Robbery is the most complete and compelling narrative yet about the looting of the Isabella Stewart Gardner Museum.
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Free from the stress of leading a major-label band on the road, Mark Sandman could always return home to Hypnosonics, an alternate vehicle for his elastic vision.
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You need to hear this play. Especially if you are white and already “know” Othello. Listen again (and again) and prepare to question old assumptions.
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The current rage for inserting the personal/confessional in everything from cookbooks to literary criticism can go too far.
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The 51-minute piece represents a digital time capsule. It comprises 16 short episodes — reflections in movement of lives caught inside the pandemic — crafted by dance-maker collaborators.
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Director Jess Chayes has done all that is humanly possible to stage a lively live production under Zoom constraints.
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This is one of the best traditional big band records you’ll hear this year, or maybe this decade.
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There’s much to enjoy here and admire, both in the performances and the selections on hand, which hardly dwell on the usual suspects or limit themselves too narrowly.
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