Rock
Could there be a Salem 66 reissue campaign on the horizon? Hope springs eternal for fans of the predominantly female quartet.
Jean Dawson’s Pixel Bath is one of the most exciting releases I’ve heard this year.
“I think these shots bring out the fierceness of black metal, and the models are saying, ‘We can be this.’”
Book Review: “Nobody Ever Asked Me About the Girls” — A Disappointing Look at Women, Music, and Fame
Journalist Lisa Robinson deconstructed the idea of the girl who could hang with the guys (and laugh off their casual misogyny) long before Gillian Flynn immortalized the Cool Girl in Gone Girl.
Fangirls is a funny and poignant survey of an essential coming-of-age experience.
Song Machine rejuvenates the band’s core identity; it is the best music Gorillaz has made in a decade.
“It was a little frustrating at first, but we’re figuring out how to give music to the people that need it right now.”
Existential Reckoning confronts today’s lethal inanity in blistering fashion, via songs that posit dire consequences for a country that wants to be entertained more than wants to be informed.
For Fleet Foxes, Shore is impressively consistent. Each track presents a meticulously detailed soundscapes deepened by Robin Pecknold’s varied meditative perspectives.

Arts Commentary: When Books Become Evidence — Hong Kong’s Raids and the New Global War on Dissent