Rock
There’s little doubt at this point regarding the 26-year-old guitarist’s talent for pulling multiple influences into one cohesive, original sound.
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It is always heartening for an album to live up to its much-anticipated buildup. It is even more reassuring that, after nearly four decades, The Goo Goo Dolls are breaking new ground.
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“Farewell” is the shortest album in the series, but it is perhaps the most provocative in the way it calmly muses, philosophically, on the form that togetherness can take – as it exists and as it dissolves.
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Age certainly wasn’t an issue in terms of energy. Elvis Costello played for a solid two hours with barely a break, running through four decades of music with a heavy emphasis on the old favorites.
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Walter Crockett’s beautiful album is as multifaceted as life itself.
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I applaud She & Him’s selection of Brian Wilson tunes while at the same time feeling that some are not well-suited to their loungey, languid pop stylings.
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“One of the positives to come out of this whole [pandemic lockdown] experience is that everyone found out what is important in their lives. Those of us who love music realized just how special it is.”
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The Stone Age is only about the gossip, to the point where even when something (potentially) true comes along, it still reads like trash.
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“Episode III. The Fall” is the most thematically focused installment in the four-part I Am the Moon saga so far.
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Our cup runneth over with tears — at this point, breakup albums may have overstayed their welcome.
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Arts Commentary: Rich in Creativity — But Nothing Else