Rock

Arts Remembrance: David Crosby — An Appreciation

January 20, 2023
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For people who grew up on his music in the ’60s and ’70s, David Crosby’s passing, especially on the heels of Jeff Beck’s death last week, is tough to take.

Rock Remembrance: Guitarist Jeff Beck

January 13, 2023
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Jeff Beck didn’t play the fastest runs but wielded dynamic emotion in every deftly spaced note – and didn’t even use a pick.

Arts Feature: The Best in Popular Music 2022

December 21, 2022
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Our music critics pick some of the standout albums and performances of 2022.

Arts Remembrance: Dino Danelli of the Young Rascals

December 16, 2022
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Thank you, Dino, for all you contributed to music and to the art of drumming.

Album Review: Roger C. Miller’s “Eight Dream Interpretations for Solo Electric Guitar Ensemble” — Fancy’s Furies

December 14, 2022
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As fluid and experimental as Eight Dream Interpretations is, the album’s rambunctious sonic palette is nothing if not inviting.

Book Review: “Jimi” — Hendrix’s Life in a Beautifully Designed Art Book

December 8, 2022
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Jimi’s sister and a Newton-based Hendrix scholar dig into the archives and come up with a coffee table book that celebrates the rock icon.

Concert Review: The Tedeschi Trucks Band at the Orpheum Theater — Beginning a New Phase

December 4, 2022
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This is a band as capable of being as spry and unpredictable in its 12th year as it was in its first.

Concert Preview/Interview: Suzanne Vega

December 4, 2022
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Suzanne Vega is many things: a singer/songwriter, musician, poet, author, entrepreneur, playwright, and actress. A number of her personas are converging right now.

Music Preview: Talking to Keyboardist Gabe Dixon About the Tedeschi Trucks Band

November 26, 2022
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Being part of the sprawling I Am the Moon endeavor has been deeply satisfying for this one-time solo traveler. “I’m proud of what we did,” Gabe Dixon said. “I put a lot of myself into this project.”

Rock Review: Julia Jacklin’s “Pre Pleasure” — Posing Questions

November 22, 2022
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Intimacy, whether physical or emotional, is continually challenged in Julia Jacklin’s Pre Pleasure.

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