Music
Pianist Beatrice Rana has a particular talent for building a line in ways that are both exactingly dynamic and robustly emotional.
Andris Nelsons has a fine feel for colorful musical canvases, a talent once again displayed in performances of Thierry Escaich’s Cello Concerto and Rachmaninoff’s Symphony No. 2.
Few conductors in Boston have a feel for late Mahler the way Benjamin Zander does.
The combined concert and gallery experience made one reconsider old clichés — E.M. Forster’s advice that art “only connect” took on an amplified resonance.
I’ve always admired Bob Dylan’s resolute reluctance to repeat himself, artistically or otherwise. The Bootleg Series Vol. 17: Fragments reminds us how obsessive that aesthetic restlessness really is.
“I go out on the road and the clubs are full everywhere I go,” Peter Case gratefully acknowledges. “People come out to hear me play. It’s an amazing gift to have that.
A masterful composer of French Baroque violin sonatas displays another side of his immense talent in this first-rate new recording of his Scylla et Glaucus.
In honor of Big Ears’ tenth edition, here’s a look at ten of my favorite festival moments.
Earl Lee, the BSO’s assistant conductor, pulled off a memorable debut. Let’s have him back in the subscription series again, and soon.
While one is willing to grant a 27-year-old conductor some benefit of the doubt, there’s little here to suggest that the Great Nordic Hope of Classical Music isn’t simply out of his depth.
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