Music

Concert Review: The Tedeschi Trucks Band at the Orpheum Theater — Beginning a New Phase

December 4, 2022
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This is a band as capable of being as spry and unpredictable in its 12th year as it was in its first.

Concert Preview/Interview: Suzanne Vega

December 4, 2022
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Suzanne Vega is many things: a singer/songwriter, musician, poet, author, entrepreneur, playwright, and actress. A number of her personas are converging right now.

Jazz/Film Review: “An Evening of Jazz Healing” — A Thing of Beauty and Sharing

December 3, 2022
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Jazz, in particular, seemed to not merely satisfy Justin Freed’s inner cravings for beauty, but it led him outwards, to others, eventually inspiring some of the key relationships in his life.

Chiptune Album Review: YMCK’s “Family Innovation” — 8bit Cynicism Toward Web 3.0

December 3, 2022
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In its ninth album, YMCK shows that it is becoming self-aware. They are no longer just avatars we are to identify with, but also (satirically) the corporate entity behind them, a corporation preoccupied, like all others, with innovation.

Classical Concert Review: Pianist Víkingur Ólafsson — A Fresh Look at Late Mozart

November 30, 2022
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Víkingur Ólafsson’s bold keyboard presence gave us a composer pressing against the conventions of his time while absorbing everything his ears took in.

Classical Album Review: Jakub Hrůša Conducts Works by Hans Rott, Mahler, and Bruckner

November 28, 2022
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Bold and colorful by turns, this disc offers an ideal introduction to Hans Rott, a composer who has slowly surfaced from the dark corners of history.

Jazz Album Review: A Critic Turns Around — Ahmad Jamal’s “Emerald City Nights: Live at the Penthouse”

November 28, 2022
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The music in these recordings only represent only a moment in pianist Ahmad Jamal’s long career, but it’s enough to demonstrate the singularity and importance of his work.

Jazz Album Reviews: Sonica — A New Female Supergroup

November 27, 2022
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The triple-threat, multi-genre members of the newly formed vocal trio Sonica are creating inspiring and engaging music across multiple musical boundaries.

Music Preview: Talking to Keyboardist Gabe Dixon About the Tedeschi Trucks Band

November 26, 2022
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Being part of the sprawling I Am the Moon endeavor has been deeply satisfying for this one-time solo traveler. “I’m proud of what we did,” Gabe Dixon said. “I put a lot of myself into this project.”

Opera Album Review: Carl Maria von Weber’s “Der Freischütz” Finally Makes Sense

November 25, 2022
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Conductor René Jacobs restores missing bits of this beloved opera’s story, and Ukrainian soprano Kateryna Kasper glows as Ännchen.

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