Music
This is a trio of superb songsters, whose individual lyricisms support each other
Songs were wholesale rearranged, and, most strikingly, Bob Dylan was a commanding presence at the baby grand piano for an 18-song, nearly two-hour set.
The intent of this fine album to dramatize the enduring legacy of Martin Luther King: no justice, no peace.
A massive, comprehensive new box set once again shows us the diva’s indomitable place in the history of opera.
My Morning Jacket remains one of rock’s best live acts, and a stylistically broad one. And more bands should be so generous in not only representing their entire catalog but mixing up the song selection every night.
One might conjecture that Lena Horne’s career was something like a mink-lined minefield: the promise of wealth and fame went hand-in-hand with the possibility of annihilation.
The Chameleon Arts Ensemble shed new light on Ernest Chausson’s quartet in A major, Op. 30, the very model of Belle Époque verve and melodicism.
To this day, attend any metal or heavy-music show in the Northeast and you are bound to see someone sporting a t-shirt or hoodie emblazoned with the iconic Sam Black Church cross-on-triangle logo.
These new mixes and remixes of the source material, outtakes, and scintillating live cuts show how The Replacements were one of the greatest bands to ever not care much about being one.
A stirring trio date featuring John Scofield on guitar with Vicente Archer on bass and Bill Stewart on drums.
Fest Review: IFFBoston Shorts — Part One