Music

Music Commentary Series: Jazz and the Piano Concerto — The Straddlers, Part One

May 4, 2015
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Time to look at the maverick mavericks, composers with feet firmly planted on either side of the dividing line between jazz and classical.

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Music Commentary Series: Jazz and the Piano Concerto — Balancing Acts at Symphony Hall

April 27, 2015
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What makes pianist Jean-Yves Thibaudet an ideal interpreter of Ravel’s Concerto in G is his understanding of and appreciation for jazz.

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Jazz Week 2015: Roxbury Takes Center Stage

April 24, 2015
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Jazz Week 2015 shines a spotlight on the jazz scene—historic and current—in Boston’s core African American community of Roxbury (and adjoining Mattapan and Dorchester).

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Concert Review: Chameleon Arts Ensemble Pianists Impress ‘Up Close’

April 23, 2015
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Had they not had interesting and flourishing careers already in place, Elizabeth Schumann and Gloria Chien could give many full-time piano duos a run for their money.

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Music Interview: Andrew Grant Jackson on 1965, Music’s ‘Annus Mirabilis’

April 21, 2015
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1965 was the year in which the leading artists in American and British popular music pushed themselves beyond making albums that mixed covers with subpar originals.

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Concert Review: Joseph Calleja — A Tenor to Love

April 20, 2015
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Joseph Calleja’s voice is absolutely gorgeous, and he has been compared to the great Golden Age tenors Gigli and Caruso.

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Fuse Music Commentary Series: Jazz and the Piano Concerto — A Real Tradition, but of What?

April 20, 2015
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The tradition of hybrids is there, for anyone who chooses to use it. Our modern media world makes that tradition accessible in hitherto unimaginable ways.

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Fuse Concert Review: Andris Nelsons conducts Schuller, Mozart, and Strauss

April 16, 2015
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There was new music, of which Nelsons’s an uncommonly gifted interpreter; old music that mostly sounded lively; and a big, loud, late-Romantic warhorse that let him and the BSO show off.

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Fuse Music Commentary Series: Jazz and the Piano Concerto –Revisiting the Jazz Side

April 16, 2015
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What I’ve learned from three years of research and listening is that the piano concerto is an ideal vehicle with which individual composers can experiment

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Concert Review: Chick Corea and Herbie Hancock at Symphony Hall

April 15, 2015
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Given that these two virtuoso pianists were in a jubilant, hometown mood, this was a concert that could hardly fail to please.

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