Music

Alt-Rock Preview: Waxahatchee, Mitski, and Speedy Ortiz — Girls Just Want to Eat Guitars

May 12, 2015
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Waxahatchee exuded poise and presence, while delivering lonesome-cowboy epiphanies that speak to their generation’s collective existential shrug.

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Music Commentary Series: Jazz and the Piano Concerto — The Straddlers, Part Two

May 11, 2015
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I would like to think that there are more composers working today who think of themselves as beyond category.

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Album Review: Just Weird Enough — Axel Krygier’s Art-Pop Finds the Fun Spot

May 11, 2015
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Axel Krygier wisely treats the album’s framing concept as lightly as possible, turning Monsieur Bigfoot into a sort of Everyhominid who offers existential-woe comments on a variety of subjects.

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Music Review: New Orleans Jazz & Heritage Festival 2015

May 9, 2015
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The New Orleans JazzFest is made for omnivorous gluttons, which makes it a perfect complement to the region’s cuisine.

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Concert Review: Entrancing and Surprising — Todd Rundgren Goes “Global”

May 8, 2015
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A cursory scan of audience reviews on the Ticketmaster website suggests that Rundgren’s current tour was disappointing his fans on a scale probably not seen in rock music since Bob Dylan went to England in 1966.

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Fuse Concert Review: Radius Ensemble’s “Insight” — As Probing As Ever

May 7, 2015
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Radius Ensemble’s final performance of the season touched on examples of musical fantasy, worldly angst, and spiritual transcendence.

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Music Commentary Series: Jazz and the Piano Concerto — The Straddlers, Part One

May 4, 2015
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Time to look at the maverick mavericks, composers with feet firmly planted on either side of the dividing line between jazz and classical.

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Music Commentary Series: Jazz and the Piano Concerto — Balancing Acts at Symphony Hall

April 27, 2015
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What makes pianist Jean-Yves Thibaudet an ideal interpreter of Ravel’s Concerto in G is his understanding of and appreciation for jazz.

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Jazz Week 2015: Roxbury Takes Center Stage

April 24, 2015
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Jazz Week 2015 shines a spotlight on the jazz scene—historic and current—in Boston’s core African American community of Roxbury (and adjoining Mattapan and Dorchester).

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Concert Review: Chameleon Arts Ensemble Pianists Impress ‘Up Close’

April 23, 2015
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Had they not had interesting and flourishing careers already in place, Elizabeth Schumann and Gloria Chien could give many full-time piano duos a run for their money.

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