Music
In its first commercial recording, Frano Parać’s “Judita” wrings compelling drama out of the biblical tale.
Along with its slew of images — photos, sketches, and ephemera as well as album covers — WAIL offers what amounts to a compelling oral history of the mid-century explosion, not only of recorded jazz but of graphic design and, by extension, a burgeoning New York cultural scene.
Lauded in histories of Broadway but rarely performed, “Love Life” proves to be an insightful and effective work of social criticism, nearly eight decades after its premiere.
Composer and bandleader Maria Schneider is a storyteller, and that’s the best way to approach her music for the first time. You listen like you read a short story, with your full attention, and your imagination synced with all of your senses.
Overall, the In the Fiddler’s House concert captured the infectious joy of this wondrous musical genre.
“I would say Music for 18 Musicians was probably the most influential piece of American concert music of the last quarter of the 20th century. You could conceivably stretch that to the most influential piece of American concert music since it was written.”
Perhaps “The Moment” did manage to nail one truth about the music industry: when fame and opportunity come knocking, it’s near impossible not to wring out every drop of profit.
Backbeats is a detailed and informative story. Each profile functions as an entry point into a selective but substantial survey of roughly seventy-five years of rock history.
Puscifer is alarmed that so many values, including bedrock rights, are under attack, with real people getting hurt (in some cases killed) in the process.
The members of Dave Douglas’ quartet members are alertly sensitive to each other and unfailingly intelligent in their choices, which makes them fun to hear.
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