Music

Arts Commentary: What Might the Kennedy Center Best Become?

June 14, 2026
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A reconsideration of the Kennedy Center’s unrealized national mission—and what its future could yet hold.

Concert Review: Claypool Gold — Three Bands, One Brain, Infinite Detours

June 12, 2026
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Claypool Gold tour turns Leader Bank Pavilion into a shifting laboratory of psychedelia, satire, and virtuosic groove.

Rock Album Review: Sourpunch Shakes Them Bones (sort of)

June 12, 2026
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A punchy live band loses its spark in a muddled, underpowered studio outing.

Rock Album Review: Signals and Static — Goose’s “Big Modern!”

June 11, 2026
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The jam band’s most thematically focused album yet turns digital overload into anxious, shape-shifting rock.

Concert Review: Little Feat’s Farewell Tour — No Signs of Fadeout

June 8, 2026
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 At Indian Ranch, Little Feat balances nostalgia and renewal in a high-caliber stop on its “Last Farewell Tour.”

Classical Music Album Reviews: Semyon Bychkov and Paavo Järvi conduct Mahler

June 8, 2026
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Orchestral splendor meets interpretive risk in two Mahler releases.

Arts Commentary: In Memoriam, Michael Tilson Thomas (1944-2026)

June 6, 2026
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Early promise, enduring vision, and a lifetime of well-timed reinvention.

Musician Interview: Mike Patton & The Avett Brothers Take Their Radical Collaboration on the Road

June 5, 2026
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On the recording “AVTT/PTTN,” mutual admiration turns into a bold experiment in form, trust, and sonic space.

Classical Album Review: Sea Songs in Full Sail

June 2, 2026
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Arpeggione Ensemble turns music by Schubert, Mendelssohn, and Mahler into a resonant chamber seascape.

Jazz Concert Review: The Write Stuff – Kurt Rosenwinkel Quintet at the Regattabar

June 2, 2026
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This was not genre-pushing experimentation. Kurt Rosenwinkel’s tunes stayed well within recognizable patterns of chords and rhythms, but the inventive craft alerted the ear at every turn.

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