Classical Music
BMOP’s performances of three John Adams chamber symphonies, all conducted by music director Gil Rose, offer welcome, distinctive takes on the triptych.
The Norwegian soprano’s execution of the vocal line in Luonnotar is nothing short of astounding.
A delightful recording — and the first ever! — of arias from Hasse’s and Gluck’s operas about Tigranes and Cleopatra of Pontus. Plus four arias by Vivaldi for that same Cleopatra.
August Enna’s colorful and vividly melodramatic score does justice to the robust exoticism of H. Rider Haggard’s novel.
On first impression, John Williams’ second violin concerto didn’t strike me as an instant classic, but there’s more than a little here to warrant repeated listening.
This disc from the London-based Kaleidoscope Chamber Collective pairs piano quintets by Amy Beach and Florence Price with Samuel Barber’s haunting “Dover Beach.”
This is a disc that begs for a sequel (or a whole series).
This world-premiere recording of Gluck’s Demofoonte is stylishly performed, under the experienced hand(s) of conductor/harpsichordist Alan Curtis.
Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year, and this month’s list includes Little Feat, Jonathan Edwards, Hot Tuna, The Red Detachment of Women, and Jimmy Witherspoon & Eric Burdon.
Cross-gender disguises and comic banter liven up the melodrama in this presentation of Antonio Cesti’s famous opera, thanks to a spirited and virtuosic traversal by a mostly Italian cast.
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