Classical Music
Ermanno Wolf-Ferrari’s delightful 1906 comic opera, via the first recording of the version heard at the work’s premiere.
I felt at times that I was listening to the Italian equivalent of a Broadway musical, though a serious rather than jolly one.
BMOP’s performances of three John Adams chamber symphonies, all conducted by music director Gil Rose, offer welcome, distinctive takes on the triptych.
The Norwegian soprano’s execution of the vocal line in Luonnotar is nothing short of astounding.
A delightful recording — and the first ever! — of arias from Hasse’s and Gluck’s operas about Tigranes and Cleopatra of Pontus. Plus four arias by Vivaldi for that same Cleopatra.
August Enna’s colorful and vividly melodramatic score does justice to the robust exoticism of H. Rider Haggard’s novel.
On first impression, John Williams’ second violin concerto didn’t strike me as an instant classic, but there’s more than a little here to warrant repeated listening.
This disc from the London-based Kaleidoscope Chamber Collective pairs piano quintets by Amy Beach and Florence Price with Samuel Barber’s haunting “Dover Beach.”
This is a disc that begs for a sequel (or a whole series).
This world-premiere recording of Gluck’s Demofoonte is stylishly performed, under the experienced hand(s) of conductor/harpsichordist Alan Curtis.
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