Opera
A delightful recording — and the first ever! — of arias from Hasse’s and Gluck’s operas about Tigranes and Cleopatra of Pontus. Plus four arias by Vivaldi for that same Cleopatra.
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August Enna’s colorful and vividly melodramatic score does justice to the robust exoticism of H. Rider Haggard’s novel.
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This world-premiere recording of Gluck’s Demofoonte is stylishly performed, under the experienced hand(s) of conductor/harpsichordist Alan Curtis.
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Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year, and this month’s list includes Little Feat, Jonathan Edwards, Hot Tuna, The Red Detachment of Women, and Jimmy Witherspoon & Eric Burdon.
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Cross-gender disguises and comic banter liven up the melodrama in this presentation of Antonio Cesti’s famous opera, thanks to a spirited and virtuosic traversal by a mostly Italian cast.
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The composer of Les huguenots and L’Africaine was already an accomplished master at age 26, as this first-rate recording reveals.
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Vivaldi put this opera together using, in part, arias associated with two famous singers: the “Moorish” (i.e., half-African) Vittorio Tesi and the castrato Farinelli.
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At this point in his career, Mayr is contributing to the development of the musicodramatic conventions that would set the stage for the masterpieces of Donizetti, Bellini, and Verdi.
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Attention is being paid today to talented composers who have been sidelined or disdained because of their race, ethnicity, religion, or sexual orientation. Reynaldo Hahn qualifies on several counts.
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Opera Commentary: Labor Action at the Met — “Wear Your Union Colors!” — Update
Locked-Out MET Stagehands and Skilled Craftspeople ,Joined by Union Supporters, Launch First-of-Its-kind Interactive “Virtual Picket Line.”
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