Opera
New podcast host Elizabeth Howard talks to Neal Goren about contemporary opera: the trends, attracting new audiences, and how opera can be adapted for the internet.
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Just in time for Passover: another fine world-premiere Rossini recording, the 1827 French version of his Moses-in-Egypt opera.
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Performed 1600 times in Paris, then forgotten, Hérold’s brilliantly witty, Le pré aux clercs shines again in a splendid recording.
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The world-premiere recording of a first rate production of a brilliant, fantastical opera, unstaged and unheard since 1914.
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Croatia’s best-known Opera is like The Bartered Bride or a lighter-spirited Porgy and Bess: tuneful, engaging, and stageworthy.
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This splendid world-premiere recording proves that, as an opera composer, Johann Simon Mayr had “the whole package.”
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World premiere recording of an utterly delicious 1872 comic opera, recorded without spoken dialogue, so you can just revel in the music and the singing.
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Philip Glass’s librettist Arthur Yorinks offers his thoughts on whether and how to update an opera as the Boston Lyric Opera releases its revamped and filmed version of The Fall of the House of Usher.
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I may be in quarantine, but music can transport me back to the Middle Ages, or to the court of Catherine the Great of Russia, or, via Donizetti, to an imagined India.
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How do you make filmed opera relevant in the Age of COVID? The BLO isolated the performers from one another and made E.A. Poe’s story the dream of an immigrant child in detention on the US/Mexico border.
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