Opera
Mozart wrote some wonderful music in Idomeneo for his wind players, who were up to the task under the capable baton of David Angus. Reviewed By Caldwell Titcomb Turning out an enormous amount of music in a host of genres during his short life (1756–91), Mozart felt that opera was his most important task. It…
Reviewed By Caldwell Titcomb I was not able to catch Ariadne auf Naxos until the last of six performances that the Boston Lyric Opera (BLO) presented at the Shubert Theatre. By this time everything was clicking superbly—both the singers and the instrumentalists in the pit. What we got was a production that the BLO imported…
Der Zwerg (The Dwarf) by Alexander Zemlinsky. Libretto by George Klaren, based on Oscar Wilde’s “The Birthday of the Infanta.” Staged by OperaHub at the Boston Center for the Arts, Boston, MA, through March 13. Free Reviewed by Helen Epstein For a truly worthwhile evening of music drama—free admission no less—get yourselves to the Boston…
Reviewed By Caldwell Titcomb It has been many years since a major new opera was mounted here. But Opera Boston has done just that with its recent world premiere of “Madame White Snake” at the Cutler Majestic Theatre. This was the most demanding and expensive undertaking in the company’s history.
Reviewed By Helen Epstein An hour and a half before curtain, operagoers are lining up at the AMC 10 cineplex in Burlington, Massachusetts across the road from the mall. Forty-five minutes later, the only available seats in Theater 3 are in the first two neck-craning rows. It’s 12:15 p.m., a sunny Saturday in February when…
Reviewed By Caldwell Titcomb The Boston Lyric Opera (BLO) initiated this week what it calls Opera Annex by moving out of its usual venue for its production of Benjamin Britten’s opera The Turn of the Screw. The site chosen was the Park Plaza Castle, built in 1891 as a Boston armory.
By Caldwell Titcomb The Boston Lyric Opera (BLO) is currently offering Georges Bizet’s “Carmen,” his last completed and finest opera, which had its delayed and unsuccessful premiere in 1875. According to Opera America, “Carmen” ranks No. 4 in the list of most performed works from the 1880s to 2005, surpassed only by Puccini’s “Madama Butterfly”…
Another extraordinary evening at Tanglewood. No bones to pick. Just appreciation and delight. At Tanglewood: James Levine conducts BSO and Tanglewood Festival Chorus, John Oliver, Conductor; Hei-Kyung Hong, Soprano; Matthias Goerne, Baritone. (Photo Credit: Hilary Scott) by Helen Epstein It’s time that some cultural reporter with a budget explored what makes the Tanglewood Festival Chorus…
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