Making Archie’s Betty compelled Gerald Peary to confront his inner Archie: “The more I made this movie, the more personal it got.
The collaboration with the mortally ill Ed Pincus, Lucia Small explains, came about from a mutual desire to experiment with documentary form.
Not everybody loves the documentary Last Days in Vietnam. Director Rory Kennedy responds to some of the criticism.
The hope is that general readers and scholars will realize a more rounded comprehension of Jack Kerouac.
“We’ve let too many valuable creative people leave for Brooklyn, Austin, and Portland. We need to do something about that.”
Boston was first introduced to ensemble taiko in 1975, when members of the Japanese group Kodō crossed the finish line of the Boston Marathon and moments later performed.
“The kids in Boston accepted us unconditionally, and we hung out with everyone out there—Barrence Whitfield, the Bristols, the Del Fuegos.”
“Working on The Way We Live Now was a natural process of learning about modernist architecture and the dominating visions of figures such as Le Corbusier, Mies, and Adolf Loos.”
Over the next two decades, slow-creeping climate change is coming to the arts in America — the arctic ice on which the creative class stands is melting.
A country maverick talks about becoming a bluegrass traditionalist.