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The moral urgency and the humane distribution of Adelle Waldman’s authorial sympathy are evident everywhere in “The Love Affair of Nathaniel P.”
Read MoreIn a way, this collection of hip writing, a “literary mixtape,” is the ultimate embodiment of the vision of the Hipster-as-Curator.
Read MoreBTC’s experiment, while not without its faults, proffers an admirable model of the sort of creative thinking that more companies should emulate when placing Shakespearean drama in a contemporary American context.
Read MoreLou Reed has left us, but the truths he took pains to show us about ourselves and our society – much as we try to cover them up – remain.
Read MoreAs those of you who have already heard “Reflektor” no doubt know, the album is fantastic, one of the best of the year for sure, whether the Grammys take notice or not.
The slow tempos on the whole didn’t hurt the show. People were there to hear Madeleine Peryoux — her voice and delivery, her offbeat arrangements and particular idiosyncratic take on familiar songs.
Read MoreCormac McCarthy’s rambling but brilliant screenplay is given vigorous direction by Ridley Scott, whose elegant visual style captures the tense downward spiral of the film’s doomed characters.
Read MoreRemembering Lou Reed, who died Sunday at the age of 71.
Read MoreSaturday’s pairing demonstrated exactly the kind of risky programming the Boston Symphony Orchestra shouldn’t be afraid to explore, even when it doesn’t all quite come together.
Read MoreStoneham Theatre’s atmospheric staging of Jeffrey Hatcher’s version of “Dr. Jekyll and Mr. Hyde” is a production well worth seeing — it lives up to its billing as “a new look at a horror classic.”
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