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Cormac McCarthy’s rambling but brilliant screenplay is given vigorous direction by Ridley Scott, whose elegant visual style captures the tense downward spiral of the film’s doomed characters.
Read MoreRemembering Lou Reed, who died Sunday at the age of 71.
Read MoreSaturday’s pairing demonstrated exactly the kind of risky programming the Boston Symphony Orchestra shouldn’t be afraid to explore, even when it doesn’t all quite come together.
Read MoreStoneham Theatre’s atmospheric staging of Jeffrey Hatcher’s version of “Dr. Jekyll and Mr. Hyde” is a production well worth seeing — it lives up to its billing as “a new look at a horror classic.”
Read MoreWhenever you hear greeting card bromides intoned with a straight face (it’s usually in scenes set in a hospital) you know that moral fuzziness isn’t far behind.
Read MoreResidences are such a prominent feature of contemporary creative life that there’s an important gathering, the TransCultural Exchange’s Conference on International Opportunities in the Arts.
Read MoreAlthough Gene Yang envisions a similarity between the Boxers (once transformed into their mythological hero aspects) and modern superheroes, BOXERS & SAINTS is far from a simple good vs. evil slugfest.
Read MoreDiscovery Ensemble is one of Boston’s great musical treasures, a group that consistently reminds us not only that the music they play is important, but why that’s the case to begin with.
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Book Review: Julian Assange Trades Hopes and Fears With Cyberpunks
Any book in which the fourth sentence is “The world is not sliding, but galloping into a new transnational dystopia” runs the risk of overstating its case from the get-go.
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