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Crime Scene: The Vanishing at the Cecil Hotel makes for a gripping watch, one of Netflix’s finest true crime documentary series.
Few writers can generate as much tension in so few pages as Pamela Painter.
“Everybody in this industry right now is looking for like, female beards to rescue them, but that’s not what we’re here for.”
Art and Faith should be widely read — its delightful wisdom and clarity underlines our culture’s desperate need to make things new.
There are some smartly colored and well-handled performances here, but it’s hard to get past the recording’s unsatisfactory acoustics.
I Blame Society may put off some enlightened neoliberals, but it is a fun little B-movie with killer insight and attitude to spare.
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
It is difficult to think of a harder-working actor or one more devoted to his craft.
The excitement of these films – perhaps the word frisson would not be amiss – is that these women are envisioned as explorers in the land of Eros, map-makers of new terrain, discovering and inventing love as they go.
Visual Arts Commentary: Preservation, Two Cases of To Be or Not to Be
Today’s increasingly heated argument about architectural preservation revolves around discerning which pieces of the past are worth saving, which buildings are valuable to our present and future.
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