Arts Fuse Editor

Theater Review: Gamm Theatre’s “The Night Watch” — Living With Fear

January 27, 2019
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The Night Watch supplies a powerful kickoff for the Gamm Theatre’s 2019 season.

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Coming Attractions: January 27 Through February 12 — What Will Light Your Fire

January 27, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Theater Review: “Slow Food” — Could Use More Meat on its Bones

January 26, 2019
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Qualms aside, Slow Food is an enjoyable show that taps into the uncertainties of middle-aged parents who must confront a strange, new life without the kids.

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Film Preview: The Brattle Theatre’s Dead of Winter — Time for Tales of the Beast

January 23, 2019
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These films will no doubt raise your spirits in the dead of winter.

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Film Review: Stephen Bannon — “Dharma” Bum

January 21, 2019
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Errol Morris allows Stephen Bannon to indulge in his vision of how he will save America, with Donald Trump as his agent and himself as the genius manipulating events.

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Dance Review: Dorrance Dance’s Tapestration

January 21, 2019
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I thought I’d never seen such a thrilling example of how dance and music can combine and feed each other.

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Theater Review: “Othello” at the American Repertory Theater — Un-moored

January 21, 2019
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The Oregon Shakespeare Festival production of Othello lacks a tragic dimension not because it highlights Othello’s “Otherness,” but because it eschews any vestige of grandeur or nobility.

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Classical Music Commentary: Poetic Narratives in the Concert Hall, and a New Recording of Dvořák’s “The Spectre’s Bride”

January 20, 2019
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A reflection on the whole tradition of combining longish narrative poems to music, especially for performance in a concert hall by large forces (e.g., singers and orchestra).

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Film Review: M. Night Shyamalan’s Broken “Glass”

January 19, 2019
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M. Night Shyamalan turns the trilogy topper he needed to make after Unbreakable and Split into a preposterous group therapy session.

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Theater Review: “The Wolves” — A Woman’s World

January 18, 2019
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Director A. Nora Long’s decision to collaborate with an all female-identifying design team and crew underscores her commitment to a feminist vision.

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