Arts Fuse Editor
Aziz Ansari does get laughs throughout his set, but the tone of Right Now begins and ends on a note of sobriety.
In Frozen Charlotte, Susan de Sola provides readers with enough aesthetic pleasure and thoughtful commentary about today’s world to remind us of just how good — and necessary — poetry can be.
The touring company of Dear Evan Hansen is every bit as good as its Broadway counterpart.
Selling Kabul poses many questions from the point of view of people seldom represented on the American stage.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Despite Dark’s complicated structure, the characters are motivated by utterly realistic desires and emotions, which balance the show’s more abstract elements.
This world-premiere recording of the 1826 Paris version of Gaspare Spontini’s Olimpie makes a powerful case for a composer much admired in his own day.
“Porches are loosely defined. Our stages include stoops, yards, and driveways, as well as churches, community centers, affordable housing, and elderly housing.”
We welcome community organizer and children’s books writer Jacob Kramer to talk about breaking the rules. His work infuses revolutionary thought with childlike wonder, encouraging readers of all ages to consider what’s possible, and to challenge the cynics.
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