SUBMARINE director Richard Ayoade has good taste. He loves movies so purely and energetically that it’s fun to watch him borrow from his favorites and patch together something new.
There are wonderful, beautiful things about The Tree of Life. But despite being innovative and important, despite inspiring awe, it envisions a kind of transcendent greatness that it itself does not quite embody. Tree of Life. Directed by Terrence Malick. By Taylor Adams. Nothing if not prophetic, director Terrence Malick quotes from The Book of […]
June marks a sluggish start to the summer movie season, but it’s not without a few big events. New films from art-house hero Terrence Malick and Lost creator J.J. Abrams promise to be must-sees for different segments of movie buffs, and fans of older cinema will have plenty on their plate with throw-back screenings at the Brattle and a Luis Buñuel retrospective at the HFA.
Given these challenging cosmic themes and a nonlinear style, it’s unsurprising that most of Paul Simon’s So Beautiful or So What lacks vivacity. Still, the album maintains Simon’s reputation as one of the best songwriters in the business. By Michela Smith. Paul Simon adores tinkering with words. In the past, lyrics like “when the radical […]
“People often ask what is the biggest change in the arts in Boston over 30 years, and it all has to do with technology. Diminished funding, economic downturns, and 9/11 all changed things. But what’s really driven change is technology.”
If you haven’t before had the keen pleasure of reading David Foster Wallace, THE PALE KING is a fine gateway drug. Its 550 pages are broken into 50 sections, each digestible on its own without reference to the larger work The Pale King by David Foster Wallace. Little, Brown, 560 pages, $29.99 By Michael de […]
Luckily, there’s plenty to this film besides it’s Middle Eastern setting. INCENDIES focuses primarily on relationships and human drama, while politics form the film’s periphery.
“13 Assassins” is an affectionate salute to old-fashioned swordplay films, just as occasionally artful as it needs to be, and ultimately, it’s a highly-satisfying romp through and through. Is there really anything wrong with that?
That Rubber fails to accomplish much of interest is really a shame. Call it a waste of potential: this film is, perhaps in spite of itself, sharply current—an ideal cinematic concept of the Internet age, self-consciousness gone a muck. Rubber. Directed by Quentin Dupieux. At Kendall Square Cinema. By Taylor Adams French director Quentin Dupieux’s […]
Summer is quickly approaching, meaning big comedies and even bigger action. May gives us a sampling of what’s to come this summer season with Thor and later this month, The Hangover Part II. In addition, Boston’s LGBT community hosts its annual film festival, the ICA focuses on rising stars in the animation world, and the […]