David D’Arcy
At this year’s Toronto International Film Festival, there were celebrities, studio premieres and plenty of films with modest budgets that vied for attention.
Rodin in the United States: Confronting the Modern is the show of the summer in the Berkshires — remarkably extensive, with 25 works on paper and 50 sculptures in terra cotta, plaster, marble, and bronze.
I wrote last week that the best films at the Tribeca Film Festival tended to be documentaries. Then I saw a scripted German film that turned out to be an exception.
If you are in New York this week there is plenty of art to see. Just a short walk from the Metropolitan Museum is a show that you will probably never see again. You can visit it for free. It closes this weekend.
Panah Panahi’s film is a powerful ode to the will to escape a restrictive society — and to tell stories.
Africa’s Struggle for Its Art usefully charts the prequel to current campaigns pressuring for the return of colonial plunder.
If you’ve never seen a French film with a PG feel, the well-meaning Gagarine might be the one for you.
David Thomson’s meditation on our love of disasters is engagingly allusive, reflective, humane, wide-ranging, and often funny.
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