David D’Arcy
The Tribeca Film Festival wrapped last week — here’s a selection of the most promising documentaries on view.
Read MoreIn New York, museums and galleries are racing toward a new normal, whatever that might be. Most exhibitions that opened earlier in the year will stay open into the summer.
Read MoreThis was an improved edition of the Berlin International Film Festival, and a number of films seem poised to travel widely, despite being largely ignored by the US media.
Read MoreMuseums, now reopened in New York, are trying to coax visitors into their galleries. With two exhibitions, it’s working.
Read MoreSundance’s strengths for me this year (as in the past) were the festival’s documentaries.
Read MoreCity Hall is a quiet, unsentimental celebration of civility in its many forms.
Read MoreJake Gyllenhall and company will survive this broad satiric lark, as will the art world.
Read MoreArmenian cultural history has always been about survival: between Armenians preserving their art within the shifting boundaries of their homeland, and carrying their art beyond the country’s borders.
Read MoreWhile nothing happens, there’s an understated splendor in all that’s uneventful here, so much so that I didn’t want to miss any of it.
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Visual Arts Interview: The Colonial Elephant in the Room — Talking with Barnaby Phillips, author of “Loot: Britain and The Benin Bronzes”
Last week, just a month after the publication of Loot in the US, the Met in New York announced that it was returning two Benin Bronzes to Nigeria.
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