Clea Simon
These days, I worry that David Mitchell is losing touch with reality.
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This is a beautifully produced book, replete with illustrations. Full-page photos of evocative landscapes are supplemented by both maps and smaller shots detailing architectural features.
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Up From the Streets is no New Orleans Jazz and Heritage Festival — but it tries.
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At 70, Marcia Ball is a non-stop pro, particularly at pacing. Early barn burners gave way to the slow blues of “Just Kiss Me.”
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This album lacks the desperation, the immediacy, the sheer power that made Sleater-Kinney essential in its original decade.
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This is the most extensive public display of original J.R.R. Tolkien material for several generations.
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In every meaningful way, The The’s return to the States, the band’s first tour in 16 years, was generous.
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I think of Bill when I hear from struggling young writers, desperate to get it “right” – and to be accepted and published and make a living in a ridiculously difficult field.
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This is a winning book, conveying a strangely believable fantasy about three strong young women in a world not that far removed from our own.
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Music Commentary: Jazz at Lincoln Center Orchestra — Women are Locked Out
“They travel the world and have for years,” says Ellen Seeling, “sending the message that there are no women good enough to be in this organization.”
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