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With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
Besides passing along the tradition of mariachi to their students, the members of Mariachi Mexico Antiguo perform as an ensemble at local events, including this weekend’s Lowell Folk Festival.
Miguel Zenón’s extraordinary writing for strings and saxophone makes use of ever-changing textures generated out of jazz, Puerto Rican folk, and classical music.
Hub Theatre Company’s production of The Taming is engaging, thanks in no small part to the hilarious performances of its three lead actors.
The critic settles too comfortably too often on a familiar trope — Ireland’s sense of promise squelched.
A baker’s dozen of recordings worth hearing . . . maybe even owning.
This Midsummer Night’s Dream is a pleasant enough entertainment that is helped mightily by the bucolic waterfront setting.
The release of previously unavailable recordings from Dexter Gordon and John Coltrane are causes for celebration. Two unforgettable voices in jazz — are back!
Big Deal differs from other Bob Fosse biographies in its focus on the dances themselves.
Film Commentary: “The King” and The King
Eugene Jarecki’s ramshackle, occasionally provocative, and frequently entertaining documentary on Elvis Presley gets some things wrong.
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