Posts
“I’m an anarchist as an artist — I write what I want, however I want. I refuse to adhere to the forms that society hands down.”
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The increased racial and cultural diversity of In Treatment’s cast and overall tone are noteworthy and commendable.
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Roadrunner: New Light, New Machine is Brockhampton’s tightest album to date.
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This world-premiere recording of Gluck’s Demofoonte is stylishly performed, under the experienced hand(s) of conductor/harpsichordist Alan Curtis.
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Instead of techno-utopian rhetoric, Electrify offers a plan with pragmatic steps to create a better environment and a stronger economy.
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Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year, and this month’s list includes Little Feat, Jonathan Edwards, Hot Tuna, The Red Detachment of Women, and Jimmy Witherspoon & Eric Burdon.
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Despite the artificiality of Summertime’s premise, director Carlos López Estrada links the film’s episodes together via a kind of seamless magical realism: each moment smoothly leads to the next, each accelerates towards a powerful resolution.
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Cross-gender disguises and comic banter liven up the melodrama in this presentation of Antonio Cesti’s famous opera, thanks to a spirited and virtuosic traversal by a mostly Italian cast.
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The volume’s spirited imagination is strong enough to compensate for flaws in its translation.
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Book Review: “Books Promiscuously Read” — Playing in the Leaves
Books Promiscuously Read sets a high standard for what might become an exciting new genre of literary criticism for educated general readers.
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