Posts
As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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The War Is Never Over is a compelling way to appreciate the importance of a music icon, to understand why Lydia Lunch’s work matters.
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Regardless of what the future holds, Derek Trucks said that he and his bandmates are grateful for every opportunity to get back in front of live audiences.
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Mare of Easttown is particularly effective in interweaving troubled domestic timelines, families held together by women who are on the brink of psychic or emotional collapse.
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
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Violinist Randall Goosby’s Roots tells a singular story, one that grows and deepens on repeated listening.
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Schmigadoon! is both an enjoyable love letter to classic Broadway musicals and a good-natured spoof of their now antique conventions.
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Disco! feels like the culmination of what will be seen as an early stage in MIKE’s career –– stylistic mastery achieved, a mountain summit reached.
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Body and Soul generates a whirligig of passions — joy, frustration, pleasure, and rage.
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Author Interview: Aaron S. Lecklider on the Forgotten History of Homosexuality and the Left in American Culture
The reader comes away from Love’s Next Meeting with an awareness of the rich history of homosexual culture existed long before the Stonewall riots in the summer of ‘69.
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