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So what if the American empire is doing more and more poorly? All that matters is hopping in alongside Tom Cruise for a super-duper roller-coaster ride inside an F-18.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Host Elizabeth Howard talks to Mark Goldsmith about his book Madison Avenue to Rikers Island. He is the founder and CEO emeritus of Getting Out and Staying Out, a nonprofit that provides educational, vocational, job readiness, counseling, and other services to young men who have been incarcerated.
Hellbender is not just a fabulous indie film about witches, it’s also an original coming-of-age horror movie.
Legendary percussionist Bill Bruford’s recorded output reveals him to be a restless innovator who went from one band to another so he could learn more about his instrument and about himself as a musician.
Crescent gives us the first five songs of the I Am The Moon suite and runs about 35 minutes. Let me rephrase that: it runs about 35 perfect minutes of music.
It was particularly delicious to see George Washington get his comeuppance.
As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person.
We’d returned to the New Orleans Jazz & Heritage Festival. We’d ridden a paddle-wheeler on the Mississippi River. It was good to be back, and why we’ll go back every chance we get: to life.
THE ARTS FUSE TURNS 15! — Support the Magazine
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