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This is pure cinema, unpretentious, rough-hewn, mystical, conjured from the earth, offered up at the forest altar of whatever flesh-and-blood gods are still listening.
Three light-hearted books about family life reveal deeper meanings.
The proceedings are continually involving, each of the performers supplying sufficient dramatic weight and interacting as a credible ensemble of characters rather than caricatures.
Over four days of listening (and walking), we found that the 13th Big Ears reaffirmed its reputation for daring curation—fostering a community of eager listeners always ready to discover something new.
This year’s Berlin International Film Festival was nothing if not political.
AIDS made us strangers in our own lives. It took our world and made it foreign, putting us in the same socio-cultural no-man’s-land where “Alpha”‘s immigrant family is struggling.
Last Friday night, conductor Andris Nelsons and the musicians came on stage together wearing red carnations as symbols of solidarity. The applause was immediate and fervent.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
In light of our current government, the show provides inspiration from the past, and it serves as an invaluable reminder that democracy has never been static, but ever evolving.
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