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We live on the stage of my theater now.
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For all his verbal ingenuity, rousing chord progressions, and cynical smartass wit, Elvis Costello’s always tucked a raw, beating heart beneath his jaunty shades and devil-may-care grin.
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Raida Adon rejects political categories because they fail to capture the utter strangeness of lived experience.
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This is the quintessential Club d’elf album, smartly arranged and surprisingly accessible without losing any of the group’s improvisational edges or exotic breadth.
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The Just and the Blind sends a needed and powerful message — it is 2022, we need to wake up!
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This is no run-of-the-mill supernatural witch movie.
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As the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.
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If you’ve never seen a French film with a PG feel, the well-meaning Gagarine might be the one for you.
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I’m happy to report that the local scene has lost none of its eccentricity thanks to a deluge of talented filmmakers and animators with a taste for the offbeat. Stay weird Boston!
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
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