Visual Arts
Nathan Benn’s gorgeous color photographs paint a complex vision of Vermont as a place of constancy and change.
George Fifield has been pushing the conceptual ball called contemporary digital and intermedia art up a hill for decades.
Otto Piene’s art is at once appealing, accessible, and yet somehow unworldly: joyful mystery yoked to dynamic playfulness.
National Pride (and Prejudice) wants us to reexamine the relationship between a country’s iconic images and its not-so-reassuring realities.
At their best, the exhibitions at the restored, renovated, and expanded Cooper-Hewitt Museum explore the history and culture of design and decorative arts with transcendent panache.
Gagosian Gallery’s show Picasso & the Camera is the art bargain of the season.
As is the case with all public spaces, Magazine Beach reflects the sensibilities and desires of its users, who ruined, abandoned, embraced, and transformed the area.
Visual Arts Commentary: The Telling Anonymity of Political Street Art
Highlighting the identity of artists is essential in art world journalism, but it appears to be unimportant when reporting on the artistic contributions to political street demonstrations.
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