Visual Arts
Starchitect Renzo Piano and his team did very well given their constraints. It is damn hard to build the right frame for so much abundant beauty.
Most museums today dream of coming up with striking public images. In that sense, the Portland Museum of Art’s acquisition of SEVEN combines a significant artistic statement with a marketing coup.
Harvard’s team of magicians have brought the Rothko murals back to life.
M.C. Escher’s extraordinary fantasy constructions are captivating visual environments whose frisky improbability beguile.
With the wild array of video, digital, performance, and public artists we have here, Illuminus is a natural event for Boston to host.
Goya: Order and Disorder is likely the most important exhibition on the New England museum calendar for the coming year and then some.
Fiber takes on two key aesthetic ideas — gravity and the grid — and one major sociological one, the way fiber arts were created and exhibited as part of a larger feminist agenda.
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