Visual Arts

Visual Arts: Simon Fujiwara at Harvard’s Carpenter Center — A Canny, Wildly Funny Lens on Modern Ideas

November 2, 2014
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Simon Fujiwara epitomizes the new model of a successful avant-garde artist in the world today.

Visual Arts Review: “Goya: Order and Disorder” — A Mountain of Superlatives

October 13, 2014
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Goya: Order and Disorder is likely the most important exhibition on the New England museum calendar for the coming year and then some.

Visual Arts Review: “Figures of Empire” — When Racism and Art Meet

October 9, 2014
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Some fifty-five objects trace a legacy of casual brutality and white hegemony that is at the heart of Yale University’s—and this nation’s—founding.

Visual Arts Review: At the ICA — The Many Pleasures That Fiber Can Offer

October 9, 2014
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Fiber takes on two key aesthetic ideas — gravity and the grid — and one major sociological one, the way fiber arts were created and exhibited as part of a larger feminist agenda.

Visual Arts Review: Lester Johnson — Existentialism’s Matisse

October 7, 2014
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Despite producing atmospheres reminiscent of smoke, rust, and acid, a streak of joy runs through Lester Johnson’s paintings.

Visual Arts Review: A Man of His Time — Cuban Modern Master Wifredo Lam

September 28, 2014
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Though acknowledged as one of the half-dozen or so key figures in Latin American modern art, Wilfredo Lam’s status in the modernist canon is unclear.

Visual Art Review: “Color Crossing” — An Urban Art Intervention in Downtown Boston

September 20, 2014
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With Color Crossing, Kate Gilbert wanted to showcase “the collision between sights and sounds that make Downtown Crossing so vibrant.”

Visual Arts Commentary: The Lawn on D — A New Park Paradigm in South Boston

August 29, 2014
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The Lawn on D is a breath of fresh cultural air in Boston.

Fuse Visual Arts Commentary: Design Museum Boston — Celebrating 21st Century Design

August 22, 2014
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The establishment of Design Museum Boston is long overdue.

Visual Arts Review: Franz West — The Enduring Pleasures of Jaunty Anarchism

August 16, 2014
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At its best, the playful absurdity of Franz West’s work seduces the viewer.

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