Review

Fuse Theater Review: “Via Dolorosa” — An Innocent Abroad in Israel

January 10, 2016
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Via Dolorosa would have been more effective if it had taken the form of a travel essay rather than a performance piece.

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Film Review: “The Revenant” — Where Have You Gone, Sam Peckinpah?

January 9, 2016
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The implausibility of The Revenant is jaw-dropping.

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Film Review: “Mustang” — Passion, Caged

January 6, 2016
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Despite being entrapped in a controlling social order, the sisters behave as most adolescents do: sometimes impulsively.

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Film Review: Hell is the Nervous Laughter of Tom Noonan — Charlie Kaufman’s Inscrutable “Anomalisa”

January 4, 2016
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Charlie Kaufman crafts worlds where people find love in unlikely places, and lose love so easily you’d think they actually want to be miserable.

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Classical Album Reviews: Beethoven’s Piano Concerto no. 3 and Mass in C (SFS Media), Music for Harp (Innova)

January 3, 2016
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Beethoven’s Mass in C is the highlight. Would that the San Francisco Symphony’s performance of the Third Concerto had more electricity.

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Book Review: “Vilna My Vilna” — A Moving Memorial to the Lodestar of Yiddish Culture

January 2, 2016
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Abraham Karpinowitz offers a salutation of the heart to his beloved city of Vilna.

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Fuse Film Commentary: Guilty Displeasures — The Hated 8

January 1, 2016
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Are people more desperate or deluded or have my own critical faculties narrowed and deteriorated?

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Theater Review: “Arabian Nights” — A Fabulous Fantasy for All Ages

December 31, 2015
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The actors’ infectious energy and absolute dedication to imaginative play-acting help make Arabian Nights spellbinding.

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Album Review: Weather Report — Definitively Live

December 29, 2015
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These live recordings capture Weather Report’s sound during its most celebrated years.

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Book Review: “The English and Their History” — A Panoramic View of the Past

December 29, 2015
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With this excellent volume, Robert Tombs offers further proof that there should be no variance between good history and good writing.

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