Review
The film captures everything I love about Queen — the outrageousness, the audacity, the bigness of it all.
This is a sublime little film — an elegantly cross-stitched portrait of an all-American family fracturing under the weight of broken dreams and false promises.
Hub Theatre Company’s production bursts with energy, staged with a clear-minded sense of movement and a hand-made quality that generates ample charm and whimsy.
Mother Butterfly’s script shows genuine promise, but the Storm Warnings Repertory Theatre’s premiere production falls short.
Maniac is mind-bending entertainment that’s also an invitation to muse on infinite possibilities.
Daniel Carter’s disc revolves, splendidly, around a process of self-discovery.
Brian Phillips uses the essay form to map the limits of America’s cultural-historical imagination, from our highest achievements to our kitschiest expressions of who we think we are, and who we think everyone else is.
As good an interpreter of large-scale forms as he’s becoming, Andris Nelsons has always been a terrific conductor of new music.
One thing I liked so much about this show, besides the mental and physical challenges, was its use of really simple and mundane materials.
New Rep’s production of We Will Not Be Silent is an intelligent and profoundly moving work of theater.
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