Review
This studio outing emphasizes superb ensemble playing; the result in a beguiling album in which just about every note shines.
Anchored by the assured direction of Cailin Doran and Jade Wheeler’s dazzling performance, Who is Eartha Mae? sings with truth.
Despite the soap opera details, Everybody Knows never becomes implausible.
The generally enjoyable Bedlam production of Pygmalion doesn’t quite settle for the glucose bait.
What makes Portland Stage’s production of Earnest such a delight is its physicality.
Mark Morris and Ethan Iverson chose songs from the famous album for reflection and extrapolation. What they made is an entertainment, a romp for the company’s terrific dancers.
Shame on you, Academy, for such feeble, uninspired, downer picks.
It’s worth pointing out that Sabahattin Ali has deliberately reversed traditional gender roles in Madonna in a Fur Coat.
In Garciela Iturbide’s photographs, the living and the dying are often joined at the (exposed) skeletal hip.
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