Review
Eric Dolphy fully deserves the renewed attention that this important release demands.
One of the key reasons that Sex Education works is due to its frank depictions of what sex, or lack thereof, is actually like in high school.
What few signs of the rich culture embedded in Danza Orgánica’s artistic director and choreographer Marsha Parrilla’s heritage made token appearances.
The Night Watch supplies a powerful kickoff for the Gamm Theatre’s 2019 season.
Qualms aside, Slow Food is an enjoyable show that taps into the uncertainties of middle-aged parents who must confront a strange, new life without the kids.
Errol Morris allows Stephen Bannon to indulge in his vision of how he will save America, with Donald Trump as his agent and himself as the genius manipulating events.
I thought I’d never seen such a thrilling example of how dance and music can combine and feed each other.
I strongly advise you to explore the wizardry of Manual Cinema — its potential is considerable.
The Oregon Shakespeare Festival production of Othello lacks a tragic dimension not because it highlights Othello’s “Otherness,” but because it eschews any vestige of grandeur or nobility.
2018 saw the release of four ambitious and powerful jazz releases driven by poetic texts.
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