Review
I fell for the Harry Dodge exhibition, but I confess to not entirely ‘getting the picture.’
Michael Gordon’s score for The Unchanging Sea works better as soundtrack than a concert work; Harmonia mundi releases a DVD of William Kentridge’s powerful staging of Alban Berg’s Wozzeck.
This Sunday’s BPYO concert tied together a number of highly personal strands, presenting music connected to two of conductor Benjamin Zander’s mentors — Benjamin Britten and Gustav Holst.
The script offers an indispensable vision of American history from the point of view of African women.
John Corigliano’s take on goodbyes is, if not exactly bitter, then full of sorrow: few happy memories to be had here.
The Oscar-nominated animation shorts are a dark lot this year.
It’s impossible not to be moved by Lauren Gunderson’s elegant, understated writing.
The Western Wind turns out to be a beautifully written novel, a serious book of great depth, intention, and craft.
The film assembles an eclectic and impressive crew of actors, writers, directors and scholars to explore the representation of black characters and culture in (mostly) American horror cinema.
Smartly, Vanessa Ruben has gathered a strong group of collaborators, a number of whom knew Tadd Dameron personally and all of whom knew his music well.
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