Review
The Half-Light is a play about ghosts that, while offering intimations of mortality, ends up exuding a charming and infectious romantic spirit.
Greta is a slight, uninspired by-the-numbers genre film — we’ve seen this paranoia-inducing tale too often.
This is a finely-selected sampling of what some accomplished women filmmakers offered in 2018.
The Lyric Stage Company’s The Little Foxes is taut, tense, and eerily reflective of our own uneasy, pernicious times.
In very different ways and on very different topics, three recent books assuage notions that architecture/design books are formidable reads.
Anniversaries are both the bane and the lifeblood of the classical music industry as, for better or worse, three new box sets remind.
A B-movie par excellence, Greta’s the kind of unhinged and yet fiendishly well-calibrated genre fare that rarely gets afforded the attentions of a director as accomplished as Neil Jordan.
1917 was an important year, but perhaps not important enough to justify the sweeping title of the book.
What’s a band of re-orphaned misfits to do? Dance away the pain, obviously.
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