Music
Channeling equal parts Lucinda Williams and Levon Helm, the album features Robin Lane’s rich, earthy voice supported by sparse instrumentation.
There is a full lineup of performances scheduled for the next few months in Groton Hill Music Center’s Meadow Hall as the organization’s donors and subscribers prepare for life in the world-class facility.
Chant For Our Planet is a great recording full of exciting ensemble playing, with lots of tasty solos and, if you want to listen in that way, an important theme that expresses deep concern for the state of our environment.
Sultry, smart, and sweet, From a Window To A Screen will be a perfect accompaniment to romantic winter nights.
Europa Galante is small enough to make touring financially viable, yet large enough to successfully undertake “larger” works in a variety of venues.
The season-long celebration of the fiftieth anniversary of Benjamin Zander’s debut as a conductor, which gets underway later this month when the Boston Philharmonic Orchestra (BPO) returns to the stage, doesn’t stint on festive spirit.
Unlike the slow, spacy stonerism of the 1973-77 era, early Pink Floyd is a much more rocking experience, and those foundational tunes of English psychedelia take on the excitement of punk to modern ears when heard live.
At House of Blues, Fontaines D.C.’s brooding, bristling music was offset by shifting swatches of amber and purple lighting amid the shadows, casting the musicians in mysterious terms.
Augustin Hadelich has the feeling of this music – its bittersweet melodic phrases, dancing riffs, and restrained passion – well in hand.
Classical Critic’s Notebook: Sergei Rachmaninoff’s Symphony No. 2
Whatever Rachmaninoff’s conflicted feelings about writing symphonies were, there’s nothing ambiguous about the content of his Second Symphony. From start to finish, it’s a marvel of melodic freshness and brilliant instrumentation.
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