Music

Book Review: The Inside Story of Abbey Road Studio — Definitive

September 7, 2023
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The truth is the Beatles wouldn’t have been the Beatles without Abbey Road, and Abbey Road wouldn’t have been Abbey Road without the Beatles.

Opera Preview: Expanding “Butterfly”‘s Habitat — A Chat with Phil Chan

September 6, 2023
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We’re not saying get rid of “Madama Butterfly” We’re saying do a better Butterfly.

Concert Review: moe. is Back!

September 5, 2023
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There was no doubt guitarist Chuck Garvey was already up to the task, sealing the grit and heart necessary to return moe. to jam-bound heights.

Jazz Album Reviews: Kris Davis and James Brandon Lewis — Top of the Crop

September 4, 2023
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September releases from Kris Davis and James Brandon Lewis are sure to be among the best jazz albums of the year.

Jazz Album Review: A Creative “Synergy—Bobby Kapp Plays the Music of Richard Sussman”

September 1, 2023
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The arrangements seem to emerge organically from the structure and feel of the compositions and harmonies, like leaves unfolding from the stem of an exotic plant.

Jazz Album Reviews: Three from the Golden Age of Jazz Recording

August 30, 2023
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Three re-issued albums reinforce the claim that jazz recordings hit their peak from 1956 to 1964.

Commentary: Brandeis University Axes the Arts

August 30, 2023
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Gutting a venerable department – particularly a world-renowned one that, by all accounts, delivers – in the name of belt-tightening is shortsighted and foolish.

Classical Album Review: Andrew Manze Conducts Vaughan Williams

August 29, 2023
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The album is a welcome appendix to the conductor’s admirable symphonic cycle with this orchestra, as well as a timely reminder of Vaughan Williams’ compositional range.

Classical Album Review: “Dependent Arising” — Lots of Sound and Fury

August 28, 2023
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A three-movement concerto for violin and orchestra, “Dependent Arising” fuses the worlds of heavy metal, punk rock, and 20th-century classical composition into a furious, frenetic, sometimes tortured thirty-minute whole.

Classical Album Review: Pierre-Laurent Aimard Plays Bartók’s Piano Concertos

August 27, 2023
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Ultimately, then, we’ve got something special here: a fresh take on some canonic works by a conductor and soloist whose bread-and-butter is this very fare.

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