Music

Album Review: “Will Anybody Know That I Was Here? The Songs of Beulah Rowley” by Mary Lee Kortes

February 11, 2024
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The album suggests an earlier time, but most of the music is modern, relevant, and timeless.

Rock Album Review: Sonic Youth’s “Walls Have Ears” — Intimations of Sounds to Come

February 9, 2024
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Sonic Youth’s fans remain passionate enough to justify the release of a slew of live albums.

Concert Review: Boston Symphony Orchestra plays Smyth, Bruch, and Mendelssohn

February 8, 2024
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Given its considerable strength and vitality, Ethel Smyth’s music deserves its newfound place in the limelight. Let’s hope the BSO programs more of her music again soon.

Concert Review: Soprano Renée Fleming and Pianist Inon Barnatan — Voices of Nature

February 7, 2024
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It is always a thrill to be in the audience when the legendary American soprano Renée Fleming performs.

Jazz Album Review: Richard Nelson and the Makrokosmos Orchestra — Excursions in Noir

February 2, 2024
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Composer/guitarist Richard Nelson’s followers can count on being surprised at how nimbly he can satisfy their appetites.

Concert Review: Cameron-Wolfe’s “Heretic” — As Played by Aaron Larget-Caplan

January 30, 2024
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Guitarist Aaron Larget-Caplan managed to keep the micro-opera’s crazed figure sympathetic as he blurred the lines between reality and delusion.

Opera Album and Video Review: The Baroque Does the Bible

January 28, 2024
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Marc-Antoine Charpentier’s 1686 “David and Jonathan” brings ancient characters to life in this 2022 Chateau de Versailles production, brilliantly staged, danced, sung, and played.

Film Review: The Swing Jazz of Eddie Durham — Credit Well Deserved

January 27, 2024
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I may not agree with some of the documentary’s spin, but the film gives the viewer a clear and entertaining picture of Eddie Durham’s long and important musical career.

Book Review / Jazz Essay: A Complicated Matter — Stephen Provizer’s “As Long as They Can Blow”

January 24, 2024
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This is a story about jazz that we only think we know: the book challenges our preconceptions with admirable restraint, and generously invites others to build on its work.

Concert Review: Pianist Hélène Grimaud — Combining Gritty Force and Dark Ecstasy

January 23, 2024
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Hélène Grimaud’s performances of Brahms, Busoni, and Beethoven drew on the strengths of her boldly imaginative powers, which have only deepened over the past two decades.

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