Music

Music Review: Singer/Songwriter Lucinda Williams — Americana Chanteuse

May 15, 2017
Posted in , , , ,

The sense of place, the passage of time, the death-haunted imagery, and the coolly rhythmic verse gives Lucinda Williams’s songs their traction.

Theater Review: Rock Critic Lester Bangs — A Welcome Rebel Yell

May 15, 2017
Posted in , , ,

Lester Bangs insisted that, at its best, rock was an act of pure rebellion, a liberation from the prison of respectability.

CD Review: Have Mercy’s “Make the Best of It” – Best Isn’t Good Enough

May 14, 2017
Posted in , , ,

Acclaimed emo band Have Mercy doesn’t deliver much that’s new on their latest LP.

Rethinking the Repertoire #11 – Nikolai Rimsky-Korsakov’s “Antar”

May 12, 2017
Posted in , ,

Rimsky-Korsakov’s , Antar packs a world of chimeric colors, impellent drama, and memorable tunes into less than thirty minutes.

Music Feature: Shor’ty Billups — The Last Boston Soul Man

May 11, 2017
Posted in , , , , ,

A celebration of a man who is one of the only remaining Boston R&B and soul artists who recorded in the 1960s.

Music Appreciation: The Sadies — Still Going Strong on “Northern Passages”

May 11, 2017
Posted in , , ,

The album Northern Passages has left me without any doubt that The Sadies are worthy of every iota of praise they have received.

Book Review: “Shake It Up” — Great American Writing on Rock and Pop

May 8, 2017
Posted in , , , ,

On the whole, this anthology, along with igniting discussions about sins of omission, will make for entertaining browsing.

Concert Review: The Heroics of Pianist Marc-André Hamelin

May 8, 2017
Posted in , , ,

Few in the business proffer the same fusion of near-unbelievable chops/technique with an acute musical sensitivity that encourages near-miracles.

Concert Review: Boston Lyric Opera’s “Le Nozze di Figaro”

May 7, 2017
Posted in , , , ,

By opting to set Figaro as a straight comedy, Cucchi’s production glossed over the opera’s subversive edge.

Music Review: Notes from the New Orleans Jazz & Heritage Festival

May 5, 2017
Posted in , , ,

The Fest’s music is mostly about audience participation — whether it’s dancing, sing-a-longs, or shouts of call-and-response.

Recent Posts

Popular Posts

Categories

Archives